Urbino Project 2011

Multimedia Journalism in Italy

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From the outside there are no clues diners inside Osteria D’Angelo Divino  are being served Renaissance cuisine. Its light pink color and subtle appeal hint at a contemporary restaurant experience.

But one glance at the menu corrects that impression. Chef Claudio Amati, it turns out, is on a mission to bring back the flavors that helped make Urbino a capitol of cuisine as well as art during the Renaissance.

Claudio Amati is the only chef in Urbino that studies Italian Renaissance cuisine. ”Each restaurant (in Urbino) has a Renaissance menu that has the same ingredients revisited with modern techniques and modern ingredients of the season.”

And Claudio isn’t alone . . .

Daniella Storoni is also interested in bringing back Renaissance food cuisine. . (insert quote here).

Claudio is one of the chefs that are in the presentations of food in the Piatta Del Duca, a festival dedicated to demonstating the influence of the Duke of Montefeltro over Renaissance cuisine in the cities around Urbino over the summer months of June through September.

Walking into (get shop name) there is an ensemble of organic and biological ingredients and products. Talking to Daniella Storoni is both informative and intriguing. Her interest in Renaissance cooking strikes you in a way that leaves you wanting to find out more and more, even if its very simple. She describes renaissance cooking in descriptive ways that enable you to create a visual image in your head of what it should have looked like. Renaissance food is a combination of meats, pasta, fruits and vegetables on hot and cold plates, seasoned with oriental spices, and presented to those of higher social classes and standards.

She talked about the Renaissance cooking atmosphere as a (quote here) and a demonstration of the Duke’s power. The banquet halls were great, and the tables long, Urbino grew to its peak of power under the Duke of Montefeltro during the Renaissance era. Today, it’s considered one of the greatest representations of architecture from that period, and the cuisine follows it.

Storoni stated that the largest influence on Renaissance cuisine during this time was the Duke of Montefeltro. In order for the Duke to show his power he would present large banquets in order to feed his friends and guests. These banquets lasted many hours, whether for wedding parties or for simply eating and sharing food. Sometimes the Duke would instruct the chef to kill a female calf, proving his wealth because “if you killed the girl that meant that you were very powerful, you were giving up having other calves, it was highly symbolic” Storoni mentioned. As the main power figure in Urbino, the Duke of Montefeltro became the main force behind the development of Renaissance cuisine.

As Amati stated, the ingredients today are the same as the ones that were used in the Renaissance, they have different tastes and are used differently. Through the natural evolution of animals, meats taste different now than they did in the Renaissance era. Many of the meats in the renaissance were caught wild and then cooked while most of the meats today are cooked on farms and fed special diets. At certain times of the year, Catholics were not allowed to eat red meats, and so the diets of the people who lived in those years changed with it. Instead of red meat they were able to eat fish, and they caught it themselves, and over time it became a primary food source in the Renaissance era.

There are blends of meat and food, meat and fruit, and smells that are interesting but you need to find the equilibrium.

All of the elements in the Renaissance period were presented differently as well. They were on plates that were decorated with plants not meant for eating. “There are blends of meat and food, meat and fruit, and smells that are interesting but you need to find the equilibrium”, Claudio Amati states about the mixes of foods. Pastas and meats were served alongside fruits instead of as separate dishes. All of the elements on the dish, even the fruits and vegetables, were seasoned with the same spices. The combination of spices that was predominately used was “cinnamon, sugars, ginger, and pepper” and according to Daniella Storoni, “they came from the oriental east and this made him (the Duke) very powerful because not everyone could afford to have spices and sugars because they came from very far.”

The generic Renaissance banquet was centered around friendship and community. There were two courses, the credenza and the chochina. The credenza was the cold plates and then the cochina was the hot plates. The plates were often centered on the body, appealing to senses and making the meats match each other according to age principles of dry and wet. The older animals were considered dry so their meat was boiled, while younger animals were considered moist and they were roasted. The dry meats were served with wet foods and the wet meats were served with dry foods. This made for easier pairings and cohesion amongst the dishes.

Community was important in the Renaissance, and people would get together and share conversation over meals on long tables in banquet halls. The guests shared no tension with each other and it is said that banquets were, according to Storoni, “a sign of unity and cohesion and sharing food, culture, friendship, and community”. The guests and the host were able to share a common ground and talk around the table for hours.

Even though all of the guests were on common grounds they were not on them physically. Depending on the social status of the guests they were on lower physical levels than the Duke himself. You were also organized on where you set by your social status or your importance, if you were a close friend of the Duke you sat closer to him rather than far away on a lower physical level. There were also several times also that people were allowed to stand outside of the building that the banquet was in, and all of the leftover foods were thrown to them so that they were able to taste the food.

Daniella Storoni is on the executive board for the Le Piatto del Duca festival that runs through the summer months of June to September. The festival was formed 5 years ago to honor the Duke and everything that he did for the Renaissance food and the era. The Duke is the one that was known for making everything happen and they wanted to honor him. The 5 towns in the Pesaro – Urbino area put together a several month long festival that demonstrates the influence of Renaissance food on the Marche region. There are festivals that are put on and demonstrations that are shown at several restaurants and shops in the areas.

For the past two years, during this time the entire city has begun to make the various restaurant menus’ focus on the cooking styles that were used in the Renaissance. They prepare summer menu’s that follow the general style while updating the cooking methods. In order to keep the methods of Renaissance cooking alive Storoni “created a line of cookies that were based on the renaissance menu’s and the recipes were taken from renaissance recipes using biological ingredients” that she sells in her shop, (name of shop).

Claudio Amati’s restaurant focuses on the elements of Renaissance cuisine and through his studies he has helped to keep the Renaissance cuisine evident in today’s daily life. The demonstrations and efforts made by food historians and experts are important in connecting Urbino to the glory that it held during the Renaissance era.

Slideshow

In the Le Marche region, tucked in the hills and mountains between Tuscany and the Adriatic, lies Urbino. It is not a commonly known city, but it was one of the most influential during the Renaissance, thanks to Frederico da Montefeltro, nicknamed “The Light of Italy.”  Beginning his career as one of the most successful condottieri, or mercenary leaders, of the time, Frederico eventually turned his success from war to peace and enlightenment.  He ruled Urbino from 1444 to his death in 1482 by promoting humanist principles, as well as creating one of the largest libraries outside of the Vatican through his scriptorium. He was also a patron of the fine arts, laying the foundation for the development of artists such as Giovanni Santi and later, after Frederico’s death, Raphael Santi. Frederico’s contributions to the Renaissance helped propel Italian art to become the most influential of the period.

Luca Catani, 37, a professor of information technology at the University of Urbino, is currently helping to change the face of art in Italy through his website Artevista.

“Artevista is a network where I try to promote cultural events, museums, artists, especially here in Italy,” says Catani, who started the website four years ago.

Many artists, including students as well as professors in Urbino, use the website to network and get their artwork out in the open.

“Urbino being such a small place, being out of the mainstream of things, this is a way for people to know more about it,” says the director of the Academy, Sebastiano Guerrera. “It’s not easy to get over those limits that are geographical.  Italy is separated by mountains and a lot of places are isolated and out of the mainstream.  Being that Artevista focuses on local artists, it opens them to the world.”

Users can search for museums, galleries, and individual artist profiles by geographical region. Those artists can upload profiles as well as examples of their work.

But Artevista isn’t limited to Urbino.  Its artists and those interested in their works come from all over Italy and have begun to expand further.

“A few months ago I started to promote also some exhibitions from Spain and England,” Catani says.

Artevista’s biggest roadblock is Italy’s own government.  Led by Prime Minister Silvio Berlusconi and Finance Minister Giulio Tremonti, Italy has instituted numerous budget cuts from its cultural support over the past few years. “You can’t eat culture,” Tremonti was quoted as saying. The cuts, and this comment, have upset many and hampered artistic growth and education.

“The money that’s allotted for [art] materials doesn’t exist anymore. So each student is responsible for buying everything, anything,” says Marie Calajoe, an American who came to Urbino in 1985 to work with art conservation and restoration and currently teaches technical language at the Academy di Belle Arti and the University of Urbino. “You can’t get a [public] loan like you can in the states. There used to be grants and scholarships that were really limited. There are almost no grants anymore. That makes it very difficult.”

“I think the main problem is that here in Italy it’s really hard to find money for culture,” says Catani, who is forced to rely on donations to keep his Artevista project running. “I try to help artists from Urbino to be famous.  And it’s necessary that someone help Artevista to do it.”

Urbino lies in the northern part of central Italy’s Marche Region, nestled between the Apennine Mountains and the Adriatic Sea. Many say the Renaissance started here under the patronage of Duke Federico da Montefeltro, whose twin-turreted palace still houses an outstanding collection of period art. Other attractions include a unique botanical garden and the boyhood home of the Renaissance artist Raphael. Lively beach towns are a bus ride away.

Students will live and learn at the University of Urbino, with all meals included. Students who sign up for the magazine publishing project will produce Urbino Now, a digital English-language magazine. Those who sign up for Multimedia Reporting will study photography, international reporting and video and produce a website about the city. The programs include full room and board in a recently renovated, air-conditioned dormitory.